
http://www.galeriequynh.com/gq/exhibitions/thierry2011/apooacg.html
http://www.youtube.com/watch?v=9Fq5en-jLz0&feature=youtu.be
Ho Chi Minh City, Vietnam – Galerie Quynh is pleased to present A Physical Obedience Of A Certain Geometry [Nihil Sublime] – an exhibition of new work by French artist Thierry Bernard-Gotteland. This is Bernard-Gotteland’s first solo exhibition at the gallery. july,5th-30th 2011
Bernard-Gotteland continues to draw on the mythologies of heavy metal music and culture to create this latest body of work. His works are loaded with semiotic markers of defiance, destruction, order, control and power where social roles, cultural models and moral values are examined. Installed in accordance to the Golden Mean, the works possess a symmetry and harmony that belies their violent and aggressive titles. Incorporating text, image and sound, the exhibition is part intimate, domestic space, part aftermath of a live concert and part private fantasy. A faux leather bed dangling from the ceiling, metal chains, paintings of viscous black enamel, stage lights arranged in a pentagram, text from Hollywood scripts fashioned with black duct tape, a tree branch bandaged with tape, the whirring sound of industrial fans whose movement creates discordant noise from a guitar lend the exhibition a sexy, sensual and forbidden atmosphere.

http://www.galeriequynh.com/gq/exhibitions/thierry2011/apooacg.html
http://www.youtube.com/watch?v=9Fq5en-jLz0&feature=youtu.be
Ho Chi Minh City, Vietnam – Galerie Quynh is pleased to present A Physical Obedience Of A Certain Geometry [Nihil Sublime] – an exhibition of new work by French artist Thierry Bernard-Gotteland. This is Bernard-Gotteland’s first solo exhibition at the gallery. july,5th-30th 2011
Bernard-Gotteland continues to draw on the mythologies of heavy metal music and culture to create this latest body of work. His works are loaded with semiotic markers of defiance, destruction, order, control and power where social roles, cultural models and moral values are examined. Installed in accordance to the Golden Mean, the works possess a symmetry and harmony that belies their violent and aggressive titles. Incorporating text, image and sound, the exhibition is part intimate, domestic space, part aftermath of a live concert and part private fantasy. A faux leather bed dangling from the ceiling, metal chains, paintings of viscous black enamel, stage lights arranged in a pentagram, text from Hollywood scripts fashioned with black duct tape, a tree branch bandaged with tape, the whirring sound of industrial fans whose movement creates discordant noise from a guitar lend the exhibition a sexy, sensual and forbidden atmosphere.
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macameo reblogged this from tbgotteland and added:
Does anyone wanna come...me? The lights look quite well-setting . I’m prefer to taking...
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tbgotteland posted this